SEATTLE — On the surface, "Last Night in Soho" is a celebration of the 60s — the glitzy and glamorous sides. But when a young aspiring fashion designer moves to London's Soho area and mysteriously ...

Nostalgia can offer history a brighter, more exciting and decidedly rose-colored sheen. This is the question filmmaker Edgar Wright, and co-writer Krysty Wilson-Cairns, pick up in “Last Night in Soho, ...

Here’s your first look at some visually arresting footage from Edgar Wright’s psychological thriller Last Night in Soho, which Focus Features will release on October 22. The pic stars Anya Taylor-Joy, ...

Edgar Wright’s sumptuous thriller “Last Night in Soho” follows young Eloise (Thomasin McKenzie), an aspiring fashion designer in the present who moves from the country to London’s posh Soho district ...

We’ve all seen our great share of streaming while in isolation during Covid, but nothing was a better reminder of the power of the big screen than the Edgar Wright-directed, produced and co-penned ...

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“If I could live any place, at any time,” the wide-eyed young woman says, dreamily, “I’d live in London in the 1960s. It must have been the center of the universe!” Her name is Eloise — call her Ellie ...

In “Last Night in Soho,” wanderlust and cultural nostalgia drive a young woman named Eloise (Thomasin McKenzie) to attend fashion school in London’s Soho district. There, her obsession with 1960s ...

Bad dreams are the worst. Like, if you dream of making out with a person you never thought of in that kind of way? So weird! But in a new movie, bad dreams turn into an entire murder investigation.

Nostalgia can offer history a brighter, more exciting and decidedly rose-colored sheen. This is the question filmmaker Edgar Wright, and co-writer Krysty Wilson-Cairns, pick up in “Last Night in Soho, ...

This story about “Last Night in Soho” first appeared in the Below-the-Line Issue of TheWrap’s awards magazine. Edgar Wright’s sumptuous thriller “Last Night in Soho” follows young Eloise (Thomasin ...

Nostalgia can offer history a brighter, more exciting and decidedly rose-colored sheen. This is the question filmmaker Edgar Wright, and co-writer Krysty Wilson-Cairns, pick up in “Last Night in Soho, ...